fxの窓

既然來了, 順便推一下廣告!

 

小弟開的一家婚紗及婚禮拍攝及攝影服務, 多多支持啊...

 

 

很久沒寫blog了, 反正都沒甚麼觀眾, 寫甚麼?!

 

不過今天路過, 留一字吧...

 

 

入咗部40D之後, 影咗成個星期, 打直影真係覺得好唔就手, 可能之前用慣直接, 宜家要屈住隻手影嘢真係好唔慣, 反正新直倒出咗, 就出去敗一個番來.  裝咗上個Body度, 順手好多, 不過亦都重好多, 買埋舊電, 又唔見千幾蚊.

 

 

 

 禽日出咗去旺角, 問咗十幾間, 都差唔多價錢, 最後都係o係百老匯入貨, 8,550淨Body算係咁上下啦~

 

係間舖試咗成半個鐘有多, 手感一流, 逐個對焦點慢慢試, 快門快速開合嘅聲音同速度, 同350D比較簡直係兩回事.  LiveView用途唔大, 不過有時拍攝會幫到手.  有時間就出去狂影, 熟習下個操作先~

 

  

 

 

 

 

相片參考網址:

Quoted from:

http://www.dpreview.com/news/0708/07082010canoneos40d.asp

 

As anticipated Canon has today announced the successor to the hugely popular EOS 30D digital SLR. Enter the EOS 40D, headline improvements are a more robust build with weather-proofing, ten megapixel CMOS sensor, DIGIC III and 1D style menus, 6.5 fps continuous shooting, three custom user modes on mode dial, 3.0" LCD monitor, Live View with optional mirror-drop auto-focus, larger brighter viewfinder with interchangeable focusing screens, much shorter viewfinder blackout and a quieter mirror mechanism, a all new AF system with all nine points cross-type with F5.6 or faster lens and a new optional combo vertical / WiFi grip.

Click here for our detailed preview of the Canon EOS 40D

Jump to:

• Press Release
• Specifications
• What's new (from Preview)
• Technologies Explained
• Software
• Preview

Press Release:

Canon EOS 40D brings new EOS platform to
advanced amateur market

Amstelveen, The Netherlands, 20 August, 2007: Canon today introduces its latest digital SLR for advanced amateurs and semi-professionals: the EOS 40D. With a 10.1 Megapixel CMOS sensor, 6.5 frames per second burst performance, a newly developed AF system and 3.0” LCD with Live View mode, the EOS 40D makes significant advances in both performance and versatility.

The camera benefits from the new EOS technology platform introduced earlier this year with the professional EOS‑1D Mark III. Canon’s DIGIC III processor delivers responsive operation, improved colour rendering and near-instant start-up time. The EOS Integrated Cleaning System combats sensor dust, while a strong magnesium alloy body with weather resistance ensures lasting durability.

“The EOS 40D represents an important step in the development of EOS for the advanced amateur market. It incorporates many of the technologies pioneered in our latest EOS-1 series cameras,” said Mogens Jensen, Head of Canon Consumer Imaging, Europe. “For digital photographers, the benefits of upgrading to the EOS 40D are real and significant. For analogue SLR users, there’s never been a more compelling reason to make the switch.”

Key features

• 10.1 Megapixel APS-C CMOS sensor
• 6.5 fps continuous shooting, max. burst 75 JPEGs
• New AF system with 9 cross-type sensors
• DIGIC III processor
• 3.0” LCD with Live View mode
• EOS Integrated Cleaning System
• Clear and bright viewfinder
• Customisable Picture Style processing parameters

Speed and image quality

Canon’s third generation CMOS sensor improves on its predecessor with redesigned pixels that keep noise to a minimum. The EOS 40D maintains high image quality up to ISO 1600, expandable to H:3200 for situations where flash use is not permitted or desired. Highlight Tone Priority mode gives wedding and landscape photographers the option to boost dynamic range for highlights when shooting above ISO 200 – reproducing more tonal detail from wedding dresses, clouds and other light coloured objects.

The DIGIC III processor powers a burst rate of 6.5 fps, working with the image buffer to handle up to 75 Large JPEGs (17 in RAW) without pause. Images are processed at 14-bits for a greatly expanded colour depth, providing smoother gradations and exceptionally accurate colour reproduction.

New cross-type AF system

A key advancement of the EOS 40D is its new 9-point cross-type AF system. All nine AF points can achieve focus on both horizontal and vertical planes. A central AF point is capable of accurate focusing up to aperture f/2.8, with eight outer points working up to f/5.6. In response to requests, the dedicated AF Start (AF-ON) button allows photographers to execute auto focus with their thumb.

LCD with Live View mode

The Live View mode simplifies shooting from awkward angles such as ground-level macro or mounted tripod shots. The 3.0” LCD displays a real-time image in Live View mode, including a selectable grid overlay and a live histogram that simulates image exposure. The AF-ON button can be configured to flip the camera mirror momentarily and engage auto focusing. For the studio environment, remote Live View lets the photographer compose, adjust settings and capture the shot from a PC using the supplied EOS utility software.

Total control

The EOS 40D is fully customisable to the photographer’s shooting preferences. The mode dial contains space for three sets of user-defined settings, allowing the photographer to switch instantly between several shooting setups. A new My Menu tab provides quick access to frequently used settings, while 24 custom functions allow photographers to fine-tune camera operation and controls. The ability to change the focusing screen – with two additional screens available – adds further versatility.

For easier operation of system accessories, settings for the Speedlite 580EX II and new Wireless File Transmitter WFT-E3 can be controlled directly from the LCD.

Wireless File Transmitter WFT-E3

Also launched today is the Wireless File Transmitter WFT-E3. Built to work with the EOS 40D, the WFT-E3 enables rapid wireless image transfer to remote FTP servers, along with two-way communication through PTP and HTTP. In HTTP mode, remote users can trigger the shutter button or download images from the camera via an internet browser window. PTP mode is used for wireless remote shooting with the EOS 40D and supplied EOS Utility software.

For longer shoots, the WFT-E3 can connect directly to external hard disk drives (HDDs). And if connected to a portable GPS device, the location and time of capture is automatically added to each image as EXIF data. A convenient grip design features a main dial and shutter controls for vertical shooting, while weather resistant seals protect the unit.

Two new EF-S lenses are launched today in conjunction with the EOS 40D

• EF-S 18-55mm f/3.5-5.6 IS – a high quality, affordable standard zoom lens incorporating a 4-stop Image Stabilizer
   
• EF-S 55-250mm f/4-5.6 IS – a versatile telephoto zoom offering the longest focal range in the EF-S range to date as well as a 4-stop Image Stabilizer  

Software

• The EOS 40D is supplied with a comprehensive software suite to streamline the photographer’s workflow. This includes Digital Photo Professional (DPP), a powerful RAW converter that provides complete RAW image processing control.
   
• DPP integrates with cameras features such as Dust Delete Data and Picture Styles. Users can now also create their own custom Picture Styles with the supplied Picture Style Editor software. The camera also comes with EOS Utility, ImageBrowser/ZoomBrowser and PhotoStitch.

Canon EOS 40D specifications

List price (body only)	• US: $ 1,299 • EU: € 1,299
Body material	Magnesium alloy
Sensor *	• 22.2 x 14.8 mm CMOS sensor • RGB Color Filter Array • Built-in fixed low-pass filter (with self-cleaning unit) • 10.5 million total pixels • 10.1 million effective pixels • 5.7 µm pixel pitch • 3:2 aspect ratio
Image processor *	DIGIC III
A/D conversion *	14 bit
Image sizes *	• 3888 x 2592 (L; 10.1 MP) • 2816 x 1880 (M; 5.3 MP) • 1936 x 1288 (S; 2.5 MP)
File formats	• RAW (.CR2; 14-bit *) • JPEG (EXIF 2.21) - Fine / Normal • RAW + JPEG (separate files) • sRAW (2.5 MP) *
File sizes (approx.) *	• JPEG L/Fine: 3.5 MB • JPEG M/Fine: 2.1 MB • JPEG S/Fine: 1.2 MB • RAW: 12.4 MB • sRAW: 7.1 MB
Lenses	• Canon EF / EF-S lens mount • 1.6x field of view crop
Dust reduction *	• "EOS Integrated Cleaning System" • Self-cleaning sensor unit (filter in front of sensor vibrates at high frequency at start-up and shutdown - can be disabled) • Dust Delete Data - Data from a test shot is used to 'map' dust spots and can be later removed using Canon DPP Software
Auto focus	• 9-point TTL CMOS sensor • All points cross-type for lenses of F5.6 or faster * • Center point additionally sensitive with lenses of F2.8 or faster * • AF working range: -0.5 - 18 EV (at 23°C, ISO 100)
Focus modes	• One shot AF • AI Servo AF • AI Focus AF • Manual focus
AF point selection	• Auto • Manual
AF assist	• Stroboscopic flash • 4.0 m range (at center)
Metering	• TTL 35 zone SPC • Metering range: EV 0.0 - 20 EV *
Metering modes	• Evaluative 35 zone • Partial (9% at center) • Spot metering (approx. 3.8% at center *) • Center-weighted average
AE lock	• Auto: One Shot AF with evaluative metering • Manual: AE lock button
Exposure compensation	• +/-2.0 EV • 0.3 or 0.5 EV increments
Exposure bracketing	• +/- 2.0 EV • 0.3 or 0.5 EV increments
Sensitivity	• Auto ISO (see below) * • ISO 100 - 1600 • 0.3 or 1.0 EV increments • ISO 3200 (Enhanced H)
Auto ISO *	• P, Av, A-Dep: ISO 400 - 800 (will drop to ISO 100 to avoid over-exposure) • Tv: ISO 400 (will use 100 - 800 if required) • M: ISO 400 • Scene modes (apart from Sport and Portrait): ISO 100 - 800 • Sport scene mode: ISO 400 - 800 • Portrait scene mode: ISO 100 • With flash (all modes): ISO 400
Shutter	• Focal-plane shutter • 100,000 exposure durability • 30 - 1/8000 sec • 0.3 or 0.5 EV increments • Flash X-Sync: 1/250 sec • Bulb
Aperture values	• F1.0 - F91 • 0.3 or 0.5 EV increments • Actual aperture range depends on lens used
Noise reduction	• Long exposure (1 sec or longer) • Optional for High ISO (default Off)
White balance	• Auto • Daylight • Shade • Cloudy • Tungsten • Fluorescent • Flash • Custom • Kelvin (2500 * - 10000 K in 100 K steps)
WB bracketing	• +/-3 levels • 3 images • Blue / Amber or Magenta / Green bias
WB shift	• Blue (-9) To Amber (+9) • Magenta (-9) to Green (+9)
Picture style	• Standard • Portrait • Landscape • Neutral • Faithful • Monochrome • User def. 1 • User def. 2 • User def. 3
Custom image parameters	• Sharpness: 0 to 7 • Contrast: -4 to +4 • Saturation: -4 to +4 • Color tone: -4 to +4 • B&W filter: N, Ye, Or, R, G • B&W tone: N, S, B, P, G
Color space	• sRGB • Adobe RGB
Viewfinder	• Eye-level pentaprism • 95% frame coverage • Magnification: 0.95x * (-1 diopter with 50 mm lens at infinity) • Eyepoint: 22 mm * • Interchangeable focusing screen Ef-A standard (2 other types optional) * • Dioptric adjustment: -3.0 to +1.0 diopter
Focusing screens (optional)	• Ef-A (Standard Precision Matte - included) • Ef-D (Precision Matte with grid) • Ef-S (Super Precision Matte for easier manual focus)
Mirror	• Quick-return half mirror (transmission:reflection ratio 40:60) • Mirror lock-up (once or multiple exposures)
Viewfinder info	• AF points • Focus confirmation light • ISO sensitivity * • Shutter speed • Aperture • Manual exposure • AE Lock • Exposure compensation amount • AEB level • Spot metering area • Flash ready • Red-eye reduction lamp on • High-speed sync • FE Lock • Flash compensation amount • ISO speed (while changing) • WB correction (while changing) • B&W mode icon * • Warnings • Maximum burst for continuous shooting • Buffer space
LCD monitor *	• 3.0 " TFT LCD • 230,000 pixels • 7 brightness levels
LCD Live view *	• Live TTL display of scene from CMOS image sensor • 100% frame coverage • Real-time evaluative metering using CMOS image sensor • Best view or exposure simulation • Grid optional (thirds) • Magnify optional (5x or 10x at AF point) • Optional Auto-focus with mirror-down / mirror-up sequence • Two modes; normal and quieter • Remote live view using EOS Utility 2.0 (via USB or WiFi/Ethernet using WFT) • Manual focus only
Record review	• Off • On (histogram via INFO button) • Display mode same as last used Play mode • 2 / 4 / 8 sec / Hold
Playback modes *	1. Single image with exposure, file number, storage slot 2. As 1 but also image count and quality 3. Detailed exposure information, thumbnail and luminance histogram 4. Less detailed exposure info., thumbnail, luminance and RGB histograms
Playback features	• Optional blinking highlight alert * • Optional AF point display * • Magnified view (up to 10x) • 2x2 * or 3x3 thumbnail index • Jump (by 1, 10, 100 images / by screen or date) • Delete / Protect
Flash	• Auto pop-up E-TTL II auto flash • FOV coverage up to 17 mm (27 mm equiv.) • Guide number approx 13 m / 43 ft (ISO 100) • Cycle time approx. 3 sec • Flash compensation +/-2.0 EV in 0.3 or 0.5 EV increments • X-Sync: 1/250 sec
External flash	• E-TTL II auto flash with EX-series Speedlites • In-camera flash configuration (currently only 580 EX II) * • Wireless multi-flash support • PC Sync
Shooting modes	• Auto • Program AE (P) • Shutter priority AE (Tv) • Aperture priority AE (Av) • Manual (M) • Auto depth-of-field • Portrait • Landscape • Close-up • Sports • Night portrait • Flash off • Camera user settings 1 * • Camera user settings 2 * • Camera user settings 3 *
Drive modes	• Single • High-speed continuous: 6.5 fps * • Low-speed continuous: 3 fps • Self-timer: 2 or 10 sec (3 sec with mirror lock-up)
Burst buffer *	• Large/Fine JPEG: 75 frames • RAW: 17 frames • RAW+JPEG: 14 frames
Orientation sensor	Yes
Auto rotation *	• On (recorded and LCD display) • On (recorded only) • Off
Custom functions *	24 custom functions in 4 groups
Menu languages *	• English • German • French • Dutch • Danish • Portuguese • Finnish • Italian • Norwegian • Swedish • Spanish • Greek • Russian • Polish • Simplified Chinese • Traditional Chinese • Korean • Japanese
Firmware	User upgradable
Portrait grip	• Optional WFT-E3/E3A * • Optional BP-E2N battery grip * • Optional BP-E2 battery grip
Connectivity	• USB 2.0 Hi-Speed • Video out • N3 type wired remote control • PC Sync flash terminal • Communication terminal on base for WFT-E3/E3A *
Storage	• Compact Flash Type I or II (inc. FAT32) • Canon Original Data Security Kit supported ("Original Image Data") • No CF card supplied
Power	• Lithium-Ion BP-511A rechargeable battery (supplied & charger) • Supports BP-511 / BP-511A / BP-512 / BP-514 • CR2016 Lithium battery (date/time backup) • Optional AC adapter
Wireless connectivity * (optional WFT-E3/E3A)	• Mounts on base of camera and also acts as vertical grip • Has its own BP-511A battery • Wireless 802.11b / 802.11g • Wireless security: WEP, TKIP/AES, WPA-PSK, WPA2-PSK • Wireless methods: Infrastructure or Ad Hoc • Wired ethernet (100 Base-TX) • Transfer: FTP, PTP (remote control by computer), HTTP (view / remote fire) • USB host capable: External hard drives, flash drives • USB comms: GPS devices (records coordinates and altitude in image header)
Dimensions *	146 x 108 x 74 mm (5.7 x 4.2 x 2.9 in)
Weight *	• No battery: 740 g (1.6 lb) • With battery: 822 g (1.8 lb)

* New or changed compared to the EOS 30D

Technologies Explained

CMOS

Canon’s CMOS technology is one of the company’s key competitive advantages, with noise reduction circuitry at each pixel site delivering virtually noise-free images. In comparison with CCD technology, the lower power consumption characteristics of Canon’s CMOS sensors also contribute to longer battery life.
Signal conversion in Canon’s CMOS sensors is handled by individual amplifiers at each pixel site. Unnecessary charge transfer operations are avoided, vastly speeding up the process of getting signals to the image processor. Noise generation is reduced, power consumption is limited and faster frame rate potential is increased.

EOS Integrated Cleaning System

The EOS Integrated Cleaning System combats sensor dust in three important ways: Reduce, Repel and Remove.

1. Reduce – Internal camera mechanisms are designed to minimise dust generation. The redesigned body cap prevents dust generation through wear on the cap itself.
    
2. Repel – Anti-static technologies are applied to the low-pass filter covering the front of the sensor so as not to attract dust.
    
3. Remove – A Self-Cleaning Sensor Unit uses hi-frequency vibrations to shake dust from the infrared filter for a period of approximately one second after each start up. For instant shooting after power up, this feature is disabled immediately the shutter release is depressed.

Canon has also developed an internal Dust Delete Data system, which can map the position of visible dust on the sensor. This can then be deleted automatically after the shoot with the latest Digital Photo Professional software.

Picture Style

Picture Style pre-sets simplify in-camera control over image qualities. Picture Style pre-sets can be likened to different film types – each one offering a different colour response. Within each selectable pre-set, photographers have control over sharpness, contrast, colour tone and saturation. The camera’s factory default configuration is set to deliver immediately-usable JPEG images without need for additional menu settings. Picture Style pre-sets applied to a RAW image can be revised with Canon’s Digital Photo Professional software.

The six presets include:

• Standard – for crisp, vivid images that don’t require post-processing
• Portrait – optimises colour tone and saturation and weakens sharpening to achieve attractive skin tones
• Landscape – for punchier greens and blues with stronger sharpening to give a crisp edge to mountain, tree and building outlines
• Neutral – ideal for post-processing
• Faithful – adjusts colour to match the subject colour when shot under a colour temperature of 5200K
• Monochrome – for black and white shooting with a range of filter effects (yellow, orange, red and green) and toning effects (sepia, blue, purple and green)

The User Defined Picture Style can be used to store up to three customized pre-sets, or any of the pre-sets available for download from Canon’s web site at www.canon.co.jp/Imaging/picturestyle/file/. Additionally, users can create their own custom Picture Style pre-sets using the supplied Picture Style Editor software.

Software

Digital Photo Professional Software

Digital Photo Professional software provides high speed, high quality processing of lossless RAW images. Processing with Digital Photo Professional allows real-time display and the immediate application of image adjustments, giving control over RAW image variables such as white balance, dynamic range, exposure compensation and colour tone. Images can be recorded in camera with sRGB or Adobe RGB colour space. Digital Photo Professional supports sRGB, Adobe RGB, ColorMatch RGB, Apple RGB and Wide Gamut RGB colour spaces.

ICC (International Colour Consortium) profiles can be attached to TIFF or JPEG images when converted from RAW. This allows faithful reproduction of colours in software applications that support ICC profiles, such as Adobe Photoshop. For improved efficiency, a set of image adjustments can be saved as a combination and applied.

Improvements in the latest version of Digital Photo Professional include three times faster image previews, an enhanced Noise Reduction tool and simultaneous batch processing of TIFF and JPEG images.

EOS Utility

The latest version of EOS Utility provides essential support for remote shooting control, camera configuration, remote Live View support and configuration of the new Original Data Security Kit OSK-E3 and Wireless File Transmitter WFT-E3 accessories. EOS Utility can be configured to monitor ‘hot’ folders, automatically renaming and moving incoming images to a structured file system – ideal for Wi-Fi transfers, or for commercial and studio photographers who want to shoot direct to a computer.

Click here for our detailed preview of the Canon EOS 40D 

今日係森美小儀歌劇團六年以來第一次公開售票嘅大日子, 所以我一早就走去排隊買飛. 今年劇目Lokamochi Mamiba, 中西合璧, 一定好搞笑.  一早七點半去到通利排隊, 竟然俾我排到第三.  十點鐘正式開售, 倫到我時都已經零六分, 一埋去要尾場30號280蚊, 無晒飛!  短短六分鐘就full咗, 你話勁唔勁?!  咁唯有買尾場180蚊, 坐FF, 第六行, 都唔錯啦!  之後再要多場23號280蚊(有Ivana呀!), 已經去到R行, 都okay啦.  買完都只不過係零八分.

 

好期待個Show!  Good Show啦!

 

 

 

 

 

一直都覺得200mm都係唔夠用, 但因為Budget所限, 無能力買到EF 300mm f/4L IS USM, EF 300mm f/2.8L IS USM就更加係遙不可及, 所以最終選擇咗買支Extender用住先, 反正口碑不錯, 又唔係好貴~  支Extender EF 2X II就一定同我無緣, 裝係我支EF 70-200mm F4L IS USM就即刻無咗AF, 咁就唯有揀支Extender EF 1.4X II.  今晚出去試鏡, 一拍即合, So far Quality都唔錯, 美中不足係F4L要自動落低一級變咗F5.6L, 不過算啦!  咁嘅價錢就多成80mm, 其他一切照常, 張就下啦~

 

 

 

同事係張學友歌迷會啲人, 所以係張學友Concert未公開預訂之前, 我已經晨早同個同事預訂定先喇!  本住佢一句"位一定攞到, 但唔包係靚位", 結果番來張飛坐第9行, 其實個位都唔錯, 唔計地下加位, 都算係有欄杆位嘅第一行, 影相一流.

 

 

 

古巨基加場,  聽另一個同事講開賣之後成個禮拜都可以坐到12行, 咪走去通利睇下, 十一號仲有好多位剩, 又係第9行, 殺佢~

 

 

 

用咗一排支70-200, 有啲時候都會覺得wide open唔係好夠, 雖然我唔係用來打雀或影月球, 但有時係中長距離(尤其係好遠影人嘅時候), 真係有啲唔係好夠用, 太貴嘅鏡買來間唔中用下我又覺得唔係咁值, 唯有退而求其次, 平平地用住支Extender EF 1.4X II, 落一級快門, 似乎仲係可以接受~  好!  試啱就買來玩...